As generative AI (GAI) tools render contemporary works increasingly fluid and interactive, the modalities by which we engage with creativity are undergoing a paradigm shift, fundamentally challenging exclusivity-dependant modes of rights protection. By directly engaging with pioneering current-state uses of GAI tools in contemporary music and art communities, the author presents a riposte to the mounting orthodoxy worldwide that we must determine a requisite level and nature of interaction with GAI tools to receive authorship over a work, exhibiting such an approach as expressly un-auditable and unenforceable.